Star Trek: The Animated Series

Star Trek: The Animated Series 

(originally known as simply Star Trek, but also known as The Animated Adventures of Gene Roddenberry's Star Trek) is an animated science fiction television series set in the Star Trek universe following the events of Star Trek: The Original Series of the 1960s. The animated series was aired under the name Star Trek, but it has become widely known under this longer name (or abbreviated as ST: TAS or TAS) to differentiate it from the original live-action Star Trek. The success in syndication of the original live action series and fan pressure for a Star Trek revival led to The Animated Series from 1973–1974, as the source of new adventures of the Enterprise crew, the next being the 1979 live-action feature film Star Trek: The Motion Picture. The 'TAS' series would be the original cast's last episodic portrayal of the characters until the "cartoon like" graphics of the Star Trek: 25th Anniversary (computer game) in 1992[1], as well as its sequel Star Trek: Judgment Rites in 1993, both of which would appear after the cast's last movie together in 1991's Star Trek VI: The Undiscovered Country. TAS was the first Star Trek series to win an Emmy Award.[2]

Production

The series was produced by Filmation in association with Paramount Television and ran for two seasons from 1973 to 1974 on NBC, airing a total of twenty-two half-hour episodes. An early Filmation proposal for this series had children assigned to each of the senior officers as cadets, including a young Vulcan for Mr. Spock. According to interviews with Norm Prescott, Paramount offered Roddenberry a substantial sum of money to abandon creative control of the project and let Filmation proceed with their "kiddy space cadet" idea. Roddenberry refused. Filmation would later develop the idea into its own original live action program, Space Academy, in 1977.

The writers of the animated series used, essentially, the same writers' guide that was used for the live-action Star Trek: The Original Series. (A copy of the "series bible", as revised for TAS, is held in the science fiction research collection at the Samuel Paley Library, Temple University, Philadelphia.)

While the freedom of animation afforded large alien landscapes and believable non-humanoid aliens, budget constraints were a major concern and, as was typical of most Filmation productions, the animation quality was generally only fair, with very liberal use of stock shots. There were also occasional mistakes, such as characters appearing on screen who were elsewhere, or a character supposed to appear on the bridge's main viewing screen, but then appeared in front, indicating bad ordering of animation plates. These were typically isolated errors however. Occasionally, though, parts of episodes would be animated at a near-theatrical quality level.

Broadcast history

Airing on NBC, the series premiered on September 8, 1973 and was broadcast until October 12, 1974, although only twenty-two episodes were produced. The series aired Saturday mornings at 10:30am Eastern/9:30am Central in 1973 and at 11:30am Eastern/10:30am Central the following year.

The series was later shown in reruns on Nickelodeon in the 1980s and on the Sci Fi Channel in the 1990s as part of Sci Fi Cartoon Quest. CBS Television Distribution currently holds rights to the series; it is (as of 2011) currently broadcast on CBS.com's video archives and is not broadcast on any linear channel but is currently available via Netflix streaming (as of November 2011.)

As with all Star Trek series, the episodes were subsequently telecast in countries throughout the world, in both American English and also translated into several different languages.

Voice casting

The series featured most of the original cast performing the voices for their characters, except for Pavel Chekov (Walter Koenig), who was omitted because the show's budget could not afford the complete cast. He was replaced by two animated characters who made semi-regular appearances: Lieutenant Arex, whose Edosian species had three arms and three legs; and Lt. M'Ress, a female Caitian. James Doohan and Majel Barrett, besides performing their characters Montgomery Scott and Christine Chapel, performed the voices of Arex and M'Ress, respectively.

Initially, Filmation was only going to use the voices of William Shatner, Leonard Nimoy, DeForest Kelley, James Doohan and Majel Barrett. Doohan and Barrett would also perform the voices of Sulu and Uhura. Leonard Nimoy refused to sign up to lend his voice to the series unless Nichelle Nichols and George Takei were added to the cast — claiming that Sulu and Uhura were of importance as they were proof of the ethnic diversity of the 23rd century and should not be recast.[3]

Koenig was not forgotten, and later wrote an episode of the series, becoming the first Star Trek actor to write a Star Trek story. Koenig wrote "The Infinite Vulcan", which had plot elements of the original Star Trek episode "Space Seed" blended into it.

As is usual for animation, the voice actors did not perform together but recorded their parts separately to avoid clashing with other commitments. For instance, William Shatner, who was touring in a play at the time, would record his lines in whatever city he happened to be in and have the tapes shipped to the studio. Doohan and Barrett, besides providing the voices of their Original Series characters and newcomers Arex and M'Ress, performed virtually all of the "guest star" characters in the series, except for a few notable exceptions such as Sarek, Cyrano Jones and Harcourt Fenton Mudd, who were performed by their original actors from The Original Series. Occasional other guest voice actors were also used, such as Ed Bishop (Commander Straker on UFO) who voiced the Megan Prosecutor in "The Magicks of Megas-tu", and Ted Knight who voiced Carter Winston in "The Survivor". Nichelle Nichols also performed other character voices in addition to Uhura in several episodes, including "The Time Trap" and "The Lorelei Signal".

Episodes

Main article: List of Star Trek: The Animated Series episodes

The characters of TAS.

The 22 episodes of TAS were spread out over two brief seasons, with copious reruns of each episode. Most were directed by Hal Sutherland.

All the episodes of this series were novelized by Alan Dean Foster and released in ten volumes under the Star Trek Logs banner. Initially, Foster adapted three episodes per book, but later editions saw the half-hour scripts expanded into full novel-length stories.

Star Trek: The Animated Series was the only Star Trek series not to feature a cold open ("teaser") and started directly with the title sequence (although some overseas versions of the original live action series, such as that run by the BBC in the U.K. in the 1960s and 1970s, ran the teaser after the credits).^{[clarification needed]}

The writing in the series benefited from a Writers Guild of America, East strike in 1973, which did not apply to animation.[4] A few episodes are especially notable due to contributions from well-known science fiction authors:

▪   "More Tribbles, More Troubles" was written by David Gerrold as a sequel to his famous episode "The Trouble With Tribbles" from the original series. Here Cyrano Jones is rescued from the Klingons, bringing with him a genetically-altered breed of tribbles which do not reproduce but do grow extremely large. (It is later discovered that these are really clusters of tribbles who function as a single tribble, and it is decided that the large numbers of smaller tribbles are preferable to the larger ones.) The Klingons, due to their hatred of tribbles, are eager to get Jones back because he stole a creature they created: a predator called a "glommer" that feeds on tribbles. This episode was originally written with the intention of being an episode of the live-action original series during the third season, but this was vetoed by Fred Freiberger who wanted serious sci-fi episodes instead, stressing that Star Trek is not a comedy.^{[citation needed]}

▪   "Yesteryear" is a time-travel episode in which Mr. Spock uses "The Guardian of Forever", a time gateway from the original series episode "The City on the Edge of Forever", to travel to his own childhood past. This is the only animated Trek episode written by original series and later Next Generation writer D. C. Fontana. This was the first actual appearance of Spock's pet sehlat, first mentioned in "Journey to Babel" and finally named I-Chaya in this episode. One element from Yesteryear that has become canon by depiction within Star Trek: The Original Series is the Vulcan city of ShiKahr, depicted in a background scene wherein Kirk, Spock and McCoy walk across a natural stone bridge (first depicted in Star Trek III: The Search for Spock) in the remastered "Amok Time".

▪   Larry Niven's "The Slaver Weapon", adapted from his own short story "The Soft Weapon". It includes some elements from his Known Space mythos such as the Kzinti and the Slavers. This is the only Kirk-era TV or movie story in which Kirk didn't appear. This episode also has the distinction of being the only exception to the animated episodes usually showing nobody dying or being killed onscreen.

▪   "The Magicks of Megas-tu", by Larry Brody, sends the Enterprise to the center of the galaxy. Its crew find themselves befriended by a devil-like alien named Lucien, whom they must defend against accusations that he has brought evil to the world of Megas-tu.

Scotty faces problems with the food replicator in the episode "The Practical Joker". This episode featured an early use of the holodeck.

The USS Enterprise in this series, while supposedly the same ship as from the original series, had a holodeck very similar to the one introduced on Star Trek: The Next Generation, which was set approximately eighty years later. It only appeared once, in Chuck Menville's "The Practical Joker", and was known as the "Rec Room". This feature was originally proposed for the original series (see, e.g., Gerrold, The World of Star Trek) but was never used.

Filmation later went on to produce the hit He-Man and the Masters of the Universe (1983–85), which occasionally used modified character and set designs from Star Trek: The Animated Series, mostly as background material. (He-Man and the Masters of the Universe also had several Trek-similar stories, most notably "The Arena", which is very similar to Star Trek: The Original Series's first season episode, "Arena"; regular Trek writer D.C. Fontana also penned the second season He-Man episode "Battlecat"). Later series also shared many of the stock sound effects from both Star Trek: The Animated Series and Star Trek: The Original Series. Filmation also recycled some of the background music for Star Trek: The Animated Series in their later shows Shazam!, Tarzan and the Super 7 and Sport Billy. (Some of the music had already been reused from the previous season's The Brady Kids and the Treasure Island feature, and were shared with that season's Lassie's Rescue Rangers).

In addition, a few story and character elements that were introduced in the animated series were incorporated into subsequent live-action productions:

▪   Amanda's maiden name, Grayson.

▪   A second exit for the bridge, referred to in Franz Joseph's Star Fleet Technical Manual and seen in the refitted Enterprise and the NCC-1701-A from the first six Star Trek movies.

▪   The kahs-wan ritual Spock endures in "Yesteryear".

▪   Klingon commander Kor's command of the battlecruiser Klothos.

▪   Doctor Phlox uses Edosian slugs in his medical bay, and Chef once served up Edosian sucker fish, similar to Earth's catfish, as a meal, in the series Star Trek: Enterprise. They come from the same planet as Lieutenant Arex, as do Edosian orchids mentioned by Elim Garak in Star Trek: Deep Space Nine.

▪   The Vulcan city, ShiKahr, has been referred to in multiple series (sometimes misspelled "ShirKahr"), and can be seen in an episode of Enterprise. A Vulcan city which looks very similar to the ShiKahr of Star Trek: The Animated Series was shown in the new CGI establishing shots used in the special edition of "Amok Time".

▪   Some of the worlds and aliens in the series were included in the 1989 book called Star Trek: The Worlds of the Federation.

▪   Some of Spock's dialog from "Yesteryear", and young Spock being bullied by Vulcan classmates, are given homage in the 2009 feature film, Star Trek.

▪   Kirk's middle name was revealed in this series as Tiberius, answering the question of what the 'T.' in his name stood for in the original live action series.

▪   The sehlat's appearance, shown in Yesteryear, was given a CGI look for the live-action series Star Trek: Enterprise

[edit]

Novelties in the series

A personal force field technology known as the life support belt was seen only in Star Trek: The Animated Series. In addition to supplying the wearer with the appropriate atmosphere and environmental protection it permitted the animators to simply draw the belt and yellow glow around the existing characters, instead of having to redraw them with an environmental suit. A version of the life support belt later appeared in an early Star Trek: The Next Generation novel, The Peacekeepers, where they were referred to as "field-effect suits".

The episode "The Lorelei Signal" provides a rare instance in early Star Trek in which a female took (temporary) command of a starship. Due to the incapacitation of the male members of the crew, Uhura assumes command of the Enterprise from Scotty. Other instances occurred on the very first and very last adventures ever filmed of the original series:

▪   "The Cage", in which Number One took command after the abduction of Captain Christopher Pike, and

▪   "Turnabout Intruder", in which Dr. Janice Lester took over the body of Captain Kirk and assumed command.

"The Lorelei Signal" and "The Infinite Vulcan", the latter written by Walter Koenig, are rare occurrences where Captain Kirk comes close to actually saying, "Beam me up, Scotty" (long erroneously believed to be a Star Trek catchphrase), when he commands "Beam us up, Scotty." Star Trek IV: The Voyage Home arguably comes closer to it by having Kirk say "Scotty, beam me up".

An anti-pollution public service announcement was created for nonprofit Keep America Beautiful featuring the ST:TAS characters and original cast voices. In the ad, the Enterprise encounters the "Rhombian Pollution Belt".[5] The ad ran during Saturday morning network programming during the series' run. At least one other PSA was produced for the American Dental Association, featuring Dr. McCoy and Nurse Chapel, but it has yet to resurface.Star Trek: The Animated Series (originally known as simply Star Trek, but also known as The Animated Adventures of Gene Roddenberry's Star Trek) is an animated science fiction television series set in the Star Trek universe following the events of Star Trek: The Original Series of the 1960s. The animated series was aired under the name Star Trek, but it has become widely known under this longer name (or abbreviated as ST: TAS or TAS) to differentiate it from the original live-action Star Trek. The success in syndication of the original live action series and fan pressure for a Star Trek revival led to The Animated Series from 1973–1974, as the source of new adventures of the Enterprise crew, the next being the 1979 live-action feature film Star Trek: The Motion Picture. The 'TAS' series would be the original cast's last episodic portrayal of the characters until the "cartoon like" graphics of the Star Trek: 25th Anniversary (computer game) in 1992[1], as well as its sequel Star Trek: Judgment Rites in 1993, both of which would appear after the cast's last movie together in 1991's Star Trek VI: The Undiscovered Country. TAS was the first Star Trek series to win an Emmy Award.[2]

Production

The series was produced by Filmation in association with Paramount Television and ran for two seasons from 1973 to 1974 on NBC, airing a total of twenty-two half-hour episodes. An early Filmation proposal for this series had children assigned to each of the senior officers as cadets, including a young Vulcan for Mr. Spock. According to interviews with Norm Prescott, Paramount offered Roddenberry a substantial sum of money to abandon creative control of the project and let Filmation proceed with their "kiddy space cadet" idea. Roddenberry refused. Filmation would later develop the idea into its own original live action program, Space Academy, in 1977.

The writers of the animated series used, essentially, the same writers' guide that was used for the live-action Star Trek: The Original Series. (A copy of the "series bible", as revised for TAS, is held in the science fiction research collection at the Samuel Paley Library, Temple University, Philadelphia.)

While the freedom of animation afforded large alien landscapes and believable non-humanoid aliens, budget constraints were a major concern and, as was typical of most Filmation productions, the animation quality was generally only fair, with very liberal use of stock shots. There were also occasional mistakes, such as characters appearing on screen who were elsewhere, or a character supposed to appear on the bridge's main viewing screen, but then appeared in front, indicating bad ordering of animation plates. These were typically isolated errors however. Occasionally, though, parts of episodes would be animated at a near-theatrical quality level.

Broadcast history

Airing on NBC, the series premiered on September 8, 1973 and was broadcast until October 12, 1974, although only twenty-two episodes were produced. The series aired Saturday mornings at 10:30am Eastern/9:30am Central in 1973 and at 11:30am Eastern/10:30am Central the following year.

The series was later shown in reruns on Nickelodeon in the 1980s and on the Sci Fi Channel in the 1990s as part of Sci Fi Cartoon Quest. CBS Television Distribution currently holds rights to the series; it is (as of 2011) currently broadcast on CBS.com's video archives and is not broadcast on any linear channel but is currently available via Netflix streaming (as of November 2011.)

As with all Star Trek series, the episodes were subsequently telecast in countries throughout the world, in both American English and also translated into several different languages.

Voice casting

The series featured most of the original cast performing the voices for their characters, except for Pavel Chekov (Walter Koenig), who was omitted because the show's budget could not afford the complete cast. He was replaced by two animated characters who made semi-regular appearances: Lieutenant Arex, whose Edosian species had three arms and three legs; and Lt. M'Ress, a female Caitian. James Doohan and Majel Barrett, besides performing their characters Montgomery Scott and Christine Chapel, performed the voices of Arex and M'Ress, respectively.

Initially, Filmation was only going to use the voices of William Shatner, Leonard Nimoy, DeForest Kelley, James Doohan and Majel Barrett. Doohan and Barrett would also perform the voices of Sulu and Uhura. Leonard Nimoy refused to sign up to lend his voice to the series unless Nichelle Nichols and George Takei were added to the cast — claiming that Sulu and Uhura were of importance as they were proof of the ethnic diversity of the 23rd century and should not be recast.[3]

Koenig was not forgotten, and later wrote an episode of the series, becoming the first Star Trek actor to write a Star Trek story. Koenig wrote "The Infinite Vulcan", which had plot elements of the original Star Trek episode "Space Seed" blended into it.

As is usual for animation, the voice actors did not perform together but recorded their parts separately to avoid clashing with other commitments. For instance, William Shatner, who was touring in a play at the time, would record his lines in whatever city he happened to be in and have the tapes shipped to the studio. Doohan and Barrett, besides providing the voices of their Original Series characters and newcomers Arex and M'Ress, performed virtually all of the "guest star" characters in the series, except for a few notable exceptions such as Sarek, Cyrano Jones and Harcourt Fenton Mudd, who were performed by their original actors from The Original Series. Occasional other guest voice actors were also used, such as Ed Bishop (Commander Straker on UFO) who voiced the Megan Prosecutor in "The Magicks of Megas-tu", and Ted Knight who voiced Carter Winston in "The Survivor". Nichelle Nichols also performed other character voices in addition to Uhura in several episodes, including "The Time Trap" and "The Lorelei Signal".

Episodes

Main article: List of Star Trek: The Animated Series episodes

The characters of TAS.

The 22 episodes of TAS were spread out over two brief seasons, with copious reruns of each episode. Most were directed by Hal Sutherland.

All the episodes of this series were novelized by Alan Dean Foster and released in ten volumes under the Star Trek Logs banner. Initially, Foster adapted three episodes per book, but later editions saw the half-hour scripts expanded into full novel-length stories.

Star Trek: The Animated Series was the only Star Trek series not to feature a cold open ("teaser") and started directly with the title sequence (although some overseas versions of the original live action series, such as that run by the BBC in the U.K. in the 1960s and 1970s, ran the teaser after the credits).^{[clarification needed]}

The writing in the series benefited from a Writers Guild of America, East strike in 1973, which did not apply to animation.[4] A few episodes are especially notable due to contributions from well-known science fiction authors:

▪   "More Tribbles, More Troubles" was written by David Gerrold as a sequel to his famous episode "The Trouble With Tribbles" from the original series. Here Cyrano Jones is rescued from the Klingons, bringing with him a genetically-altered breed of tribbles which do not reproduce but do grow extremely large. (It is later discovered that these are really clusters of tribbles who function as a single tribble, and it is decided that the large numbers of smaller tribbles are preferable to the larger ones.) The Klingons, due to their hatred of tribbles, are eager to get Jones back because he stole a creature they created: a predator called a "glommer" that feeds on tribbles. This episode was originally written with the intention of being an episode of the live-action original series during the third season, but this was vetoed by Fred Freiberger who wanted serious sci-fi episodes instead, stressing that Star Trek is not a comedy.^{[citation needed]}

▪   "Yesteryear" is a time-travel episode in which Mr. Spock uses "The Guardian of Forever", a time gateway from the original series episode "The City on the Edge of Forever", to travel to his own childhood past. This is the only animated Trek episode written by original series and later Next Generation writer D. C. Fontana. This was the first actual appearance of Spock's pet sehlat, first mentioned in "Journey to Babel" and finally named I-Chaya in this episode. One element from Yesteryear that has become canon by depiction within Star Trek: The Original Series is the Vulcan city of ShiKahr, depicted in a background scene wherein Kirk, Spock and McCoy walk across a natural stone bridge (first depicted in Star Trek III: The Search for Spock) in the remastered "Amok Time".

▪   Larry Niven's "The Slaver Weapon", adapted from his own short story "The Soft Weapon". It includes some elements from his Known Space mythos such as the Kzinti and the Slavers. This is the only Kirk-era TV or movie story in which Kirk didn't appear. This episode also has the distinction of being the only exception to the animated episodes usually showing nobody dying or being killed onscreen.

▪   "The Magicks of Megas-tu", by Larry Brody, sends the Enterprise to the center of the galaxy. Its crew find themselves befriended by a devil-like alien named Lucien, whom they must defend against accusations that he has brought evil to the world of Megas-tu.

Scotty faces problems with the food replicator in the episode "The Practical Joker". This episode featured an early use of the holodeck.

The USS Enterprise in this series, while supposedly the same ship as from the original series, had a holodeck very similar to the one introduced on Star Trek: The Next Generation, which was set approximately eighty years later. It only appeared once, in Chuck Menville's "The Practical Joker", and was known as the "Rec Room". This feature was originally proposed for the original series (see, e.g., Gerrold, The World of Star Trek) but was never used.

Filmation later went on to produce the hit He-Man and the Masters of the Universe (1983–85), which occasionally used modified character and set designs from Star Trek: The Animated Series, mostly as background material. (He-Man and the Masters of the Universe also had several Trek-similar stories, most notably "The Arena", which is very similar to Star Trek: The Original Series's first season episode, "Arena"; regular Trek writer D.C. Fontana also penned the second season He-Man episode "Battlecat"). Later series also shared many of the stock sound effects from both Star Trek: The Animated Series and Star Trek: The Original Series. Filmation also recycled some of the background music for Star Trek: The Animated Series in their later shows Shazam!, Tarzan and the Super 7 and Sport Billy. (Some of the music had already been reused from the previous season's The Brady Kids and the Treasure Island feature, and were shared with that season's Lassie's Rescue Rangers).

In addition, a few story and character elements that were introduced in the animated series were incorporated into subsequent live-action productions:

▪   Amanda's maiden name, Grayson.

▪   A second exit for the bridge, referred to in Franz Joseph's Star Fleet Technical Manual and seen in the refitted Enterprise and the NCC-1701-A from the first six Star Trek movies.

▪   The kahs-wan ritual Spock endures in "Yesteryear".

▪   Klingon commander Kor's command of the battlecruiser Klothos.

▪   Doctor Phlox uses Edosian slugs in his medical bay, and Chef once served up Edosian sucker fish, similar to Earth's catfish, as a meal, in the series Star Trek: Enterprise. They come from the same planet as Lieutenant Arex, as do Edosian orchids mentioned by Elim Garak in Star Trek: Deep Space Nine.

▪   The Vulcan city, ShiKahr, has been referred to in multiple series (sometimes misspelled "ShirKahr"), and can be seen in an episode of Enterprise. A Vulcan city which looks very similar to the ShiKahr of Star Trek: The Animated Series was shown in the new CGI establishing shots used in the special edition of "Amok Time".

▪   Some of the worlds and aliens in the series were included in the 1989 book called Star Trek: The Worlds of the Federation.

▪   Some of Spock's dialog from "Yesteryear", and young Spock being bullied by Vulcan classmates, are given homage in the 2009 feature film, Star Trek.

▪   Kirk's middle name was revealed in this series as Tiberius, answering the question of what the 'T.' in his name stood for in the original live action series.

▪   The sehlat's appearance, shown in Yesteryear, was given a CGI look for the live-action series Star Trek: Enterprise

[edit]

Novelties in the series

A personal force field technology known as the life support belt was seen only in Star Trek: The Animated Series. In addition to supplying the wearer with the appropriate atmosphere and environmental protection it permitted the animators to simply draw the belt and yellow glow around the existing characters, instead of having to redraw them with an environmental suit. A version of the life support belt later appeared in an early Star Trek: The Next Generation novel, The Peacekeepers, where they were referred to as "field-effect suits".

The episode "The Lorelei Signal" provides a rare instance in early Star Trek in which a female took (temporary) command of a starship. Due to the incapacitation of the male members of the crew, Uhura assumes command of the Enterprise from Scotty. Other instances occurred on the very first and very last adventures ever filmed of the original series:

▪   "The Cage", in which Number One took command after the abduction of Captain Christopher Pike, and

▪   "Turnabout Intruder", in which Dr. Janice Lester took over the body of Captain Kirk and assumed command.

"The Lorelei Signal" and "The Infinite Vulcan", the latter written by Walter Koenig, are rare occurrences where Captain Kirk comes close to actually saying, "Beam me up, Scotty" (long erroneously believed to be a Star Trek catchphrase), when he commands "Beam us up, Scotty." Star Trek IV: The Voyage Home arguably comes closer to it by having Kirk say "Scotty, beam me up".

An anti-pollution public service announcement was created for nonprofit Keep America Beautiful featuring the ST:TAS characters and original cast voices. In the ad, the Enterprise encounters the "Rhombian Pollution Belt".[5] The ad ran during Saturday morning network programming during the series' run. At least one other PSA was produced for the American Dental Association, featuring Dr. McCoy and Nurse Chapel, but it has yet to resurface.